Wondered if this would fit with one gem up or two. Seems wifie likes it with two on top. There’s a red ruby, a blue tourmaline, and a white CZ set into a size 7 Thai Gold band.
340/365
Wondered if this would fit with one gem up or two. Seems wifie likes it with two on top. There’s a red ruby, a blue tourmaline, and a white CZ set into a size 7 Thai Gold band.
340/365
When I pulled out the proportional divider and measured the drawing, I intended to put 12 stones on this band. So, when the proportional divider landed back on the original dot as I was plotting the gem seats, I didn’t think anything of it. I was surprised to have an extra gem. At first I figured the vendor miscounted and gave me one extra.
It’s a case of “If it ain’t broke, don’t fix it.”
339/365
I found this lovely rutilated quartz stone with a deep pavilion. It was too tall to put into a cabochon; most of the rock would be hidden. So, I decided to carve giant prongs and make it a cocktail ring. The girdle is 22mm and the shank is a size 5.5 in Thai Gold.
It’s a big rock!
338/365
Like in the museum when they show you a reconstructed image of the artifact when it was new, the black dot is what was preserved of the scarab hieroglyph after lasering. The CerMark doesn’t seem to oxidize brass. Yesterday’s ring was silver, and there was a shadow of a mark on it. Maybe I’ll carve this hieroglyph directly into the brass like the Egyptians might have done.
337/365
Tried a new brass alloy from the caster called Thai Gold. It comes out pretty nice. It’s hard, too, so it holds a shine. The caster claims that it doesn’t tarnish as fast as regular brass. That’s what Butcher’s Wax is for.
333/365